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I'm fascinated by the line between perceived reality and chaos; that edge where things go from 'being' to 'non-being'.  So I seek to destabilize the boundaries of my subjects through elements of abstraction and orient the compositions around emotive provocations, instead of explicit calculations.  The content acts like an anchor, allowing the unseen forces that act within that content to be free and wild.  And within those abstractions I enjoy utilizing aesthetic structures to explore space, like the polygons or graffiti-type expressions.

I use a multi-media approach to apply abstraction and follow up with layers of oil paint for the representational content.  And to keep up with the physical demands of the process, I paint on thick wood panel. 

I don't want to tell anyone what I think of the work because I think that's a robbery of their chance to do it.  The interpretive game is the invaluable currency that the audience brings to the experience.  In short, whatever it means to you- that's what it means.

My art business has been designated as a "Trusted Art Seller" with 

The Art Storefronts Organization, which means you can shop with confidence, and know that I stand behind the quality and value of my products.


Considering myself a neo-impressionist, I deeply admire the work of Lindsey Kustusch, Johan Barrios, Malcom Liepke, NC Wyeth, Van Gogh, Renoir, Jeremy Mann, Costa Dvorezky, and, of course, the OG- Monet


I usually find an image or arrange a series of images into a sketch then compose it with borders and a color scheme.  Then, with primed wood panel, I use floetrol, acrylic paint, spray paint, water, painters tape, and a number of different application tools to make a sloppy, yet composed, mess that will contain the imagery. 

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